Local urban music artists, among which María Becerra, Bizarrap, L-Grant and Tiago Pzk stand out, monopolize the first ten places of the most seen musical videos on YouTube on Argentina, according to a ranking prepared by the audiovisual platform.
Although the first place is occupied by L-Gagiza and Bizarrap with its "Music Sessions #38", which accumulates almost 227 million reproductions, María Becerra, with a presence in five different positions and a total of 2.62 billion views,is the most prominent artist.
In the seven and eight position, he does it with his own "animal" creations, accompanied by Cazzu, and Coramelao, respectively;While she also says present in second place, from her collaboration with Rusherking, Tiago Pzk, Khea, Lit Killah and Duki, in "In addition to my remix".
It is also positioned in positions four and five as a guest of Tini, in "Like me";And by J Balvin, in "What else then?", respectively.
In addition to the first place, L-Granta occupies the six places, as a guest with Marita de Ladies for free on the "Evil puppy" theme;And ten with "Tinty Nasty", the theme that brings it out with DT.Bilardo and Omar Varela.
In the case of Tiago Pzk, in addition to his appearance in second place, he also does so in third place with "They do not know me", a collaboration with Bandit, Duki and Rei;And in the ninth, with "Among us", the theme that he copmarte with Lit Killah.
As a particularity, it should be noted that Duki, Khea, Cazzu, Lit Killah and Tiazo Pzk himself intermingle for the first time among those top ten places of songs more listened to.
"Latin American artists have a great presence on the platform: they dominate the` Billion Views Club´ and represent more than 30 percent of the musical videos that reached this list.It is incredible to see the amount of new talents in the region and listen to their creations, "said YouTube Partnership Director for Latin America, Sandra Jiménez, through a statement.
After stating that this year a new record was achieved with more than 2 billion registered users, the directive celebrated that "the democratization of the industry is a wonderful phenomenon in which more and more people can share their songs on digital platforms andFind your audience ".
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